Love it, Jeremy! Sorry haven't had a chance to formulate any substantial responses but wanted to let you know I'm reading and following along avidly (:
Also, ambitious request here but a couple NYC "scenes" you should try to somehow get access to, would love to read pieces on (I think both might address your issue with the antisocial component of classical aka museum music lol jk):
Hey, I appreciate it, Miles. Two very different and intriguing performances that you sent. My soft intro to Emmet's Place might be through their public December performances at Dizzy's. But I can also reach out to some of my friends in jazz. And I'd be very interested to know if that kind of music making is still happening at PS22!
On a personal note, I have abundant opportunity to attend concerts now that I'm retired and raise similar questions as I appreciate and analyze the performances I have chosen to attend.
Love it, Jeremy! Sorry haven't had a chance to formulate any substantial responses but wanted to let you know I'm reading and following along avidly (:
Also, ambitious request here but a couple NYC "scenes" you should try to somehow get access to, would love to read pieces on (I think both might address your issue with the antisocial component of classical aka museum music lol jk):
https://www.youtube.com/watch?v=9h451Btc6eU (they do play clubs but if you somehow get into Emmett's Harlem apartment you will tell me and I will fly in)
https://www.youtube.com/watch?v=OKPC-T3jjRg (ok less a scene and more an isolated miracle but still they surely do public performances??)
Hey, I appreciate it, Miles. Two very different and intriguing performances that you sent. My soft intro to Emmet's Place might be through their public December performances at Dizzy's. But I can also reach out to some of my friends in jazz. And I'd be very interested to know if that kind of music making is still happening at PS22!
Thank you, Jeremy, for your essays.
On a personal note, I have abundant opportunity to attend concerts now that I'm retired and raise similar questions as I appreciate and analyze the performances I have chosen to attend.
Louise Basbas
I would love to keep comparing perspectives with you, Louise! Let me know what you learn.